{"id":3357,"date":"2020-09-14T08:26:46","date_gmt":"2020-09-13T23:26:46","guid":{"rendered":"https:\/\/shoga.info\/?p=3357"},"modified":"2020-09-14T08:26:46","modified_gmt":"2020-09-13T23:26:46","slug":"sakai-doitsu-the-successor-of-edo-rinpa-school-who-was-active-during-meiji-period","status":"publish","type":"post","link":"https:\/\/shoga.info\/?p=3357","title":{"rendered":"Sakai D\u014ditsu: The Successor of Edo-Rinpa School Who Was Active During Meiji Period"},"content":{"rendered":"

“Keshi-Zu (Opium Poppies Painting)” by Sakai Dōitsu<\/h2>\n
\"“Keshi-Zu<\/a>
“Keshi-Zu (Opium Poppies Painting)” by Sakai Dōitsu<\/figcaption><\/figure>\n

Sakai Dōitsu<\/a> (1845-1913) was born in 1845 in Edo. He was the second son of Yamamoto Sodō, a disciple of Suzuki Kiitsu<\/a>. He learned the painting from his father Sodō and his grandfather (his mother’s dad) Suzuki Kiitsu. He was adopted by Sakai Ōitsu, the 3rd<\/sup> generation of *Ugean artist name, and after Ōitsu’s death, he became the 4th<\/sup> generation of Ugean. It can be said that he was a direct line of the Edo-Rinpa school.<\/p>\n

This painting “Keshi-zu (opium poppies painting)” also tells Sakai Hōitsu<\/a>’s painting style. Sakai Dōitsu exhibited “Sue no Matuyama kai （meaning of a song Sue no Matsuyama)” and “Kusabana (flowers)” to the 2nd<\/sup> Naikoku Kaiga Kyōshin-kai exhibition in 1844 and received an award. The work is not known, but it is thought that it was mostly like this painting style. Hōitsu had a style of painting with a lot of sketchy elements added to the style of Ogata Kōrin<\/a>’s style, and even in this painting, the flowers are drawn in traditional *kōroku<\/em> method, but the buds have the round shape from the shade of color. It is also interesting how he used gold paint on the veins of the leaves to create a decorative effect.<\/p>\n

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  • *Ugean: Sakai Hōitsu’s residence and also an art studio, and because he used ” Ugean” as his artist name, Sakai Ōho, who succeeded Ugean, is called the 2nd<\/sup> generation of Ugean, Sakai Ōitsu is called the 3rd<\/sup> generation, and Sakai Dōitsu is called the 4th<\/sup> generation.<\/span><\/li>\n
  • * Kōroku: One of the techniques of oriental painting. You would draw a contour with a thin line and color the inside. It is mainly used in Kachō-ga (painting of flowers and birds). <\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

    \u201cKeshi-Zu (Opium Poppies Painting)\u201d by Sakai D\u014ditsu Sakai D\u014ditsu (1845-1913) was born in 1845 in Edo. He was the second son of Yamamoto Sod\u014d, a disciple of Suzuki Kiitsu. He learned the painting from his father Sod\u014d and his grandfather (his mother\u2019s dad) Suzuki Kiitsu. He was adopted by Sakai \u014citsu, the 3rd generation of *Ugean artist name, and after \u014citsu\u2019s death, he became the 4th generation of Ugean. It can be said that he was a direct line of the Edo-Rinpa school. This painting \u201cKeshi-zu (opium poppies painting)\u201d also tells Sakai H\u014ditsu\u2019s painting style. Sakai D\u014ditsu exhibited \u201cSue no Matuyama kai \uff08meaning of a song Sue no Matsuyama)\u201d and […]<\/p>\n","protected":false},"author":1,"featured_media":3359,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"jetpack_featured_media_url":"https:\/\/shoga.info\/wp-content\/uploads\/2020\/09\/doitsu-eye.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/posts\/3357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3357"}],"version-history":[{"count":0,"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/posts\/3357\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/media\/3359"}],"wp:attachment":[{"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}