{"id":6630,"date":"2024-06-17T08:00:15","date_gmt":"2024-06-16T23:00:15","guid":{"rendered":"https:\/\/shoga.info\/?p=6630"},"modified":"2024-05-21T11:25:44","modified_gmt":"2024-05-21T02:25:44","slug":"kitagawa-utamaro-ukiyo-e-bijin-ga-artist","status":"publish","type":"post","link":"https:\/\/shoga.info\/?p=6630","title":{"rendered":"Kitagawa Utamaro: Ukiyo-e Bijin-ga Artist"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6632 size-thumb710\" src=\"https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-710x373.jpg\" alt=\"\" width=\"710\" height=\"373\" srcset=\"https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-710x373.jpg 710w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-300x158.jpg 300w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-1024x538.jpg 1024w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-768x403.jpg 768w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-530x278.jpg 530w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-565x297.jpg 565w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5-725x381.jpg 725w, https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/f7203622b8155d9d939b11342c588bd5.jpg 1200w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\"\/><\/p>\n<p>When discussing beauties in ukiyo-e, it is impossible to overlook <a class=\"glossaryLink\" href=\"https:\/\/shoga.info\/?glossary=kitagawa-utamaro\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Kitagawa Utamaro<\/a>. He brought about a revolution in the genre. Until then, it was common to depict the entire body in bijin-ga (pictures of beautiful women), but Kitagawa Utamaro focused on bust portraits.<\/p>\n<figure id=\"attachment_3598\" aria-describedby=\"caption-attachment-3598\" style=\"width: 485px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumb710 wp-image-3598\" src=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-485x710.jpg\" alt=\"The three most beautiful women of Kansei period by Kitagawa Utamaro\" width=\"485\" height=\"710\" srcset=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-485x710.jpg 485w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-205x300.jpg 205w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-700x1024.jpg 700w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-768x1124.jpg 768w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-362x530.jpg 362w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-386x565.jpg 386w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period-495x725.jpg 495w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/the-three-most-beautiful-women-of-Kansei-period.jpg 800w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\"\/><\/a><figcaption id=\"caption-attachment-3598\" class=\"wp-caption-text\">The three most beautiful women of Kansei period by Kitagawa Utamaro<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Of course, the bust style existed before, particularly in yakusha-e (actor prints). However, it was Kitagawa Utamaro who brought this style into bijin-ga and popularized it. His works, known as &ldquo;&#332;kubi-e&rdquo; (large-head pictures), became his trademark.<\/p>\n<figure id=\"attachment_3597\" aria-describedby=\"caption-attachment-3597\" style=\"width: 453px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumb710 wp-image-3597\" src=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women-453x710.jpg\" alt='\"Ten physiognomic types of women\" by Kitagawa Utamaro' width=\"453\" height=\"710\" srcset=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women-453x710.jpg 453w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women-191x300.jpg 191w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women-338x530.jpg 338w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women-360x565.jpg 360w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women-462x725.jpg 462w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/10\/Ten-physiognomic-types-of-women.jpg 605w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\"\/><\/a><figcaption id=\"caption-attachment-3597\" class=\"wp-caption-text\">&ldquo;Ten physiognomic types of women&rdquo; by Kitagawa Utamaro<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>By focusing on the bust, he was able to close up on facial expressions and emotions. This allowed for a wide range of expressions, including sensuality, and his bijin-ga captivated audiences, becoming incredibly popular.<\/p>\n<figure id=\"attachment_2636\" aria-describedby=\"caption-attachment-2636\" style=\"width: 488px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumb710 wp-image-2636\" src=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-488x710.jpg\" alt=\"Young Lady Blowing on a Poppin by Kitagawa Utamaro\" width=\"488\" height=\"710\" srcset=\"https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-488x710.jpg 488w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-206x300.jpg 206w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-704x1024.jpg 704w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-768x1116.jpg 768w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-365x530.jpg 365w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-389x565.jpg 389w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c-499x725.jpg 499w, https:\/\/shoga.info\/wp-content\/uploads\/2020\/05\/88eaf06963f4a558633f4a5be85dc73c.jpg 800w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\"\/><\/a><figcaption id=\"caption-attachment-2636\" class=\"wp-caption-text\">Young Lady Blowing on a Poppin by Kitagawa Utamaro<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Kitagawa Utamaro&rsquo;s bijin-ga was loved by many and came to be recognized as a representative style of beauty in ukiyo-e.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When discussing beauties in ukiyo-e, it is impossible to overlook Kitagawa Utamaro. He brought about a revolution in the genre. Until then, it was common to depict the entire body in bijin-ga (pictures of beautiful women), but Kitagawa Utamaro focused on bust portraits. &nbsp; Of course, the bust style existed before, particularly in yakusha-e (actor prints). However, it was Kitagawa Utamaro who brought this style into bijin-ga and popularized it. His works, known as &#8220;\u014ckubi-e&#8221; (large-head pictures), became his trademark. &nbsp; By focusing on the bust, he was able to close up on facial expressions and emotions. This allowed for a wide range of expressions, including sensuality, and his bijin-ga [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6633,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"jetpack_featured_media_url":"https:\/\/shoga.info\/wp-content\/uploads\/2024\/05\/b6b508dee4bb3926793647fd26c7876a.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/posts\/6630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6630"}],"version-history":[{"count":0,"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/posts\/6630\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=\/wp\/v2\/media\/6633"}],"wp:attachment":[{"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shoga.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}